| Photos (see all 64 | slideshow) | Videos (see all 8) |
| Elizabeth Taylor | ... | Cleopatra | |
| Richard Burton | ... | Antony | |
| Rex Harrison | ... | Caesar | |
| Pamela Brown | ... | High Priestess | |
| George Cole | ... | Flavius | |
| Hume Cronyn | ... | Sosigenes | |
| Cesare Danova | ... | Apollodorus | |
| Kenneth Haigh | ... | Brutus | |
| Andrew Keir | ... | Agrippa | |
| Martin Landau | ... | Rufio | |
| Roddy McDowall | ... | Octavian - Caesar Augustus | |
| Robert Stephens | ... | Germanicus | |
| Francesca Annis | ... | Eiras, Cleopatra's handmaiden | |
| Grégoire Aslan | ... | Pothinus (as Gregoire Aslan) | |
| Martin Benson | ... | Ramos | |
| Herbert Berghof | ... | Theodotos | |
| John Cairney | ... | Phoebus | |
| Jacqui Chan | ... | Lotos, royal taster | |
| Isabel Cooley | ... | Charmian (as Isabelle Cooley) | |
| John Doucette | ... | Achillas | |
| Andrew Faulds | ... | Canidius | |
| Michael Gwynn | ... | Cimber | |
| Michael Hordern | ... | Cicero | |
| John Hoyt | ... | Cassius | |
| Marne Maitland | ... | Euphranor | |
| Carroll O'Connor | ... | Casca | |
| Richard O'Sullivan | ... | Pharaoh Ptolemy XIII | |
| Gwen Watford | ... | Calpurnia | |
| Douglas Wilmer | ... | Decimus | |
| rest of cast listed alphabetically: | |||
| Elisabeth Welch | ... | Children's nurse (scenes deleted) | |
| John Alderton | ... | 1st Officer (uncredited) | |
| Ronald Allen | ... | (uncredited) | |
| John Alvar | ... | Valvus (uncredited) | |
| Audrey Anderson | ... | (uncredited) | |
| María Badmajew | ... | (uncredited) | |
| Michèle Bailly | ... | (uncredited) | |
| Marina Berti | ... | Queen at Tarsus (uncredited) | |
| Salvatore Billa | ... | Egyptian Slave / Centurion (uncredited) | |
| Bruna Caruso | ... | (uncredited) | |
| Finlay Currie | ... | Titus (uncredited) | |
| Rod Dana | ... | One of Caesar's entourage (uncredited) | |
| Marie Devereux | ... | Bacchanal reveler (uncredited) | |
| Peter Forster | ... | 2nd Officer (uncredited) | |
| John Frederick | ... | Captain Palace Guard (uncredited) | |
| María Luz Galicia | ... | (uncredited) | |
| John Gayford | ... | Guard (uncredited) | |
| Peter Grant | ... | Palace guard (uncredited) | |
| Rosalba Grottesi | ... | Cleopatra's servant (uncredited) | |
| Rupert John | ... | Bit Part (uncredited) | |
| John Karlsen | ... | High Priest (uncredited) | |
| Jeremy Kemp | ... | Agitator (uncredited) | |
| Maureen Lane | ... | (uncredited) | |
| Margaret Lee | ... | (uncredited) | |
| Desmond Llewelyn | ... | Senator (uncredited) | |
| Calvin Lockhart | ... | Bit Role (uncredited) | |
| Loris Loddi | ... | Caesarion at Age 4 (uncredited) | |
| Jean Marsh | ... | Octavia (uncredited) | |
| Kathy Martin | ... | (uncredited) | |
| Luigi Martocci | ... | Marcellus (uncredited) | |
| Gesa Meiken | ... | (uncredited) | |
| Furio Meniconi | ... | Mithridates (uncredited) | |
| Simon Mizrahi | ... | (uncredited) | |
| Violeta Montenegro | ... | Dancer (uncredited) | |
| Boris Nacinovic | ... | Gladiator (uncredited) | |
| Laurence Naismith | ... | Arachesilaus (uncredited) | |
| Kenneth Nash | ... | Caesarion at Age 12 (uncredited) | |
| John Pepper | ... | Caesarion (uncredited) | |
| Paola Pitagora | ... | Cleopatra's servant (uncredited) | |
| Michela Roc | ... | Cleopatra's servant (uncredited) | |
| Del Russel | ... | Caesarion at Age 7 (uncredited) | |
| Sandra Scarnati | ... | Cleopatra's servant (uncredited) | |
| Mike Steen | ... | Undetermined Role (uncredited) | |
| Jack Taylor | ... | Bit Part (uncredited) | |
| Meri Welles | ... | Cleopatra's Handmaiden (uncredited) | |
| Ben Wright | ... | Narrator (voice) (uncredited) | |
Directed by | |||
| Joseph L. Mankiewicz | |||
| Rouben Mamoulian | (uncredited; fired, replaced by Joseph L. Mankiewicz) | ||
| Darryl F. Zanuck | (uncredited) | ||
Writing credits | ||
| Joseph L. Mankiewicz | (screenplay) and | |
| Ranald MacDougall | (screenplay) and | |
| Sidney Buchman | (screenplay) | |
| Plutarch | (histories) and | |
| Suetonius | (histories) and | |
| Appian | (histories) | |
| Carlo Mario Franzero | (book "The Life and Times of Cleopatra") (as C.M. Franzero) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Walter Wanger | .... | producer | |
| Peter Levathes | .... | executive producer (uncredited) | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Leon Shamroy | (director of photography) | ||
| Jack Hildyard | (uncredited) | ||
Film Editing by | |||
| Dorothy Spencer | |||
| Elmo Williams | (uncredited) | ||
Production Design by | |||
| John DeCuir | (as John De Cuir) | ||
Art Direction by | |||
| Herman A. Blumenthal | (as Herman Blumenthal) | ||
| Hilyard M. Brown | (as Hilyard Brown) | ||
| Boris Juraga | |||
| Maurice Pelling | |||
| Jack Martin Smith | |||
| Elven Webb | |||
Set Decoration by | |||
| Paul S. Fox | |||
| Ray Moyer | |||
| Walter M. Scott | |||
Costume Design by | |||
| Vittorio Nino Novarese | (costumes: men) | ||
| Renié | (costumes: women) (as Renie) | ||
Makeup Department | |||
| Alberto De Rossi | .... | makeup artist (as Alberto de Rossi) | |
| Vivienne Walker | .... | hair stylist: Miss Taylor (as Vivienne Zavitz) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| C.O. Erickson | .... | production manager | |
| Forrest E. Johnston | .... | production manager | |
| Saul Wurtzel | .... | production manager: second unit | |
| Francisco Ariza | .... | production manager (uncredited) | |
| Edward Joseph | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ray Kellogg | .... | second unit director | |
| Andrew Marton | .... | second unit director | |
| Fred R. Simpson | .... | assistant director | |
Art Department | |||
| José Algueró | .... | assistant set decorator: Spain (uncredited) | |
| Ferdinand Bellan | .... | scenic artist (uncredited) | |
| Bill Dennison | .... | chief draughtsman: exteriors (uncredited) | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
| Giovanni Natalucci | .... | set designer (uncredited) | |
| Don Picton | .... | assistant art director (uncredited) | |
| Italo Tomassi | .... | scene painter (uncredited) | |
Sound Department | |||
| James Corcoran | .... | sound recording supervisor | |
| Bernard Freericks | .... | sound recordist | |
| Fred Hynes | .... | sound recording supervisor | |
| Murray Spivack | .... | sound recordist | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Emil Kosa Jr. | .... | special photographic effects | |
| Herbert Cheek | .... | miniatures supervisor (uncredited) | |
| William F. Mittlestedt | .... | mechanical effects (uncredited) | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Jack Cooper | .... | stunts (uncredited) | |
| Alberto Dell'Acqua | .... | stunts (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| John Sullivan | .... | stunt double: Richard Burton (uncredited) | |
Camera and Electrical Department | |||
| Piero Portalupi | .... | photographer: second unit (as Pietro Portalupi) | |
| Claude Renoir | .... | photographer: second unit | |
| Bernie Abramson | .... | publicity photographer (uncredited) | |
| Sherman Kunkel | .... | assistant camera (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
Casting Department | |||
| Stuart Lyons | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Irene Sharaff | .... | costumes: Elizabeth Taylor | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Lionel Newman | .... | associate conductor | |
| Alex North | .... | conductor | |
| Henry Brant | .... | orchestrator (uncredited) | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
| David Tamkin | .... | orchestrator (uncredited) | |
Other crew | |||
| Hermes Pan | .... | choreographer | |
| Bill Batchelor | .... | publicist (uncredited) | |
| Marie Devereux | .... | stand-in: Elizabeth Taylor (uncredited) | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
| Lucie Lichtig | .... | continuity (uncredited) | |
| Elaine Schreyeck | .... | script supervisor (uncredited) | |
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Fritz Lang's Metropolis is rightly regarded as a classic, but many reviews make note of the 'illogical' story and bad character plotting. Characters come and go without rhyme or reason, and the plot makes no sense, they say. Well, yes, but that's not Fritiz's fault, nor the movie's; Metropolis makes little sense because 55 minutes of the film was hacked out and destroyed, never to be seen again, by the US distributors. Of course it's gonna be a dog's dinner with an hour missing, ya clods!!
The same is true of Cleopatra, and this is basically the only reason the film fell flat on its' 1963 release. It was originally intended to release Cleopatra as two three hour movies, the first dealing with Cleo's relationship with Caesar, the second her affairs with Marc Antony. Fox said no to this idea, and demanded a single four hour film instead. This decision is like taking Peter Jackson's Lord Of The Rings Trilogy and removing an hour from each film wherever an hours' worth can be removed...a recipe for incoherence and total disaster.
So, with two hours of footage gone, major characters are reduced to glorified walk-ons, vital plot points and motivations are lost, and the story loses what LOTR has...length with the proper pacing. People will sit and watch 4 hours of Return Of The King because it flows properly. People will not sit and watch 4 hours of stitched together rough cuts...that's what Cleopatra is, even in the DVD roadshow edition...because what we have is something that is too bitty and haphzard to sustain interest.
But there is still glory in Cleo....Roddy McDowall, Martin Landau and Rex Harrison all act their socks off, the sea battle is kick ass, and Liz Taylor looks pretty scrummy in Egyptian softcore porn clothes. And only a Gen Xer like me could love that hideously pompous overblown dialogue.
Great film! For what it is. It just should have been TWO films, that's all. Real eyepopping trippy spectacle, done in a 'damn the money, full speed ahead' way that just doesn't happen any more. Like Casino Royale, Cleo is a wonderful disaster.